Held during COP30, the panel brought together climate science, design, and heritage to rethink low-carbon urban futures.
Storytelling project with Architecture-in-Development creating a bilingual Lexicon of Care to communicate Olón Yaku’s practice.
DJ set blending music and visuals from the Brazilian Amazonia.
Exhibition that proposes an Amazonian speculative narrative, turning imagination into a tool for designing cities, territories, and possible futures.
A symposium, part of the public programme of the Beloved Waters exhibition at the art center Stroom (The Hague, Netherlands), addressed water, ecology and collective futures.
Concert combining music and science communication to raise awareness about the preservation of Amazonia in Barcelona, Spain.
Peer-reviewed article on how dance and music in Brazil’s favelas reshape urban narratives and forge a new political identity.
Peer-reviewed article on fluvial mobility practices on Combu Island, in Brazil’s urban Amazonia, and their impact on the aquatic urban space.
A comprehensive review of existing resources on aparelhagens - Amazonian sound systems from Pará, Brazil - with various materials on their cultural context.
Blog exploring the relationship between music and territory in the Brazilian urban Amazonia, tracing the evolution of musical styles and their link to local memory and culture.
Audiovisual performance that takes the audience on a sonic journey through the Brazilian Amazonia, tracing the geography and culture of Pará while revealing its landscapes.
Event to debate innovative solutions for Amazonian cities, integrating traditional knowledge and technologies for possible futures in Amazonia.
Roundtable on sound systems in the Brazilian Amazonia (Pará and Maranhão), exploring music, history, and cultural identity.
Electronic music playlist from Pará, Amazonia, Brazil, accompanying an article on the sound systems known as aparelhagens.
Article and photo report on Aparelhagens, street parties with large sound systems and lighting in Belém, Amazonia, Brazil.